Thank you to the following people for their wonderful submissions and for entering into the spirit of the
Winter Solstice Cadenza Challenge:
David Jones | John Farrington | Adam Stone | Allan Barden | Jan Price | Gail Griffin | Sue Gourlay | Douglas Wroe | John Heritage | Pauline Rimmer | Giselle Sim | Martin Smith.
And a very special thank you to Geelong Writers members Judy Rankin and Stephen Sayers for opening their music for us to step inside and explore.
Please scroll down to read the submissions beneath each of the two musical compositions.
Beautiful
The following responses were inspired by Beautiful by Judy Rankin
The Rise
‘Music is a torch with which to see where beauty lies’
Atahualpa Yupanqui (Argentine poet & musician)
(i) BOUNDEN
We walk the tightrope
of life’s tenuous grace
tethered to trauma
Tied as it were
to a tenure of transition
tread cautiously
Treaty between time
and animus
a catharsis
We try to turn the tide
of this Titan’s hold
temper the trace of tentacles
that now past
(ii) UNBOUNDEN
And yet…
I hear the refrain of now
alluring
a resonance of grace
I feel the air
laced with the sapidity of sea-salt
a mantle of mist
My mind
leavened with sound
rises
Through the brume
into that radiance
of an Autumn gone
Where mothers sang
and children played
in fields of delight
Before the harvest
of time’s cruel scythe
Around me deciduous decibels fall
golden leaf-litter
through which I drift
Where two worlds
percussion and strings
meet in harmony
beauty of sound
Vibrations of peace
into a troubled earth
a troubled mind
Marriage of hemispheres
conscious and subconscious
connected
the feather touch of a lover’s hands
drift across your being
look into the depths
see reflected beauty
drawn from the ghats of time
Harmony, our road to next.
By David Jones
The Shell and the Stone
I love walking along the beach. Since splitting from my wife of 44 years, it has become my favourite form of therapy. I always pick up shells and stones and marvel at them.
After one particularly stressful discussion with my ex, I was walking on the sand, hoping to find a really beautiful shell to lift my mood. Incredibly, each time one caught my eye, further examination revealed that it was only part of a shell. The rest had broken off in the ocean’s turbulence.
I settled on trying to find a pretty stone, and while I could find many that had been perfectly smoothed by the same forces that had ruined the shells, they were all rather dull and uninteresting.
Our lives are like shells and stones. I’m happy that mine has been like a shell. Even though I am no longer complete or attractive, I feel that for a time, I was. Those that live like stones, will no doubt last longer but will be perennially dull and insignificant.
We may not get to choose what we will be but let us celebrate the shells that make the world interesting whether they are now whole or broken.
By John Farrington
Everything Returns
0:05
Far, far east on a cliff top
Amongst the salt marshes and goats
Looking down on an ocean of blue, black and white
That toys with tiny fishing boats
0:19
A victim of countless harsh winters
The sharp wind lashes at him whole
The sun ghostly behind a haze of clouds
Still, he waits for his pot of gold
0:33
An ancient tale of tides and waves
Of twists and turns in the breeze
Can’t turn back the tide, stop the rain or sunshine
Can’t raise the dead, secrets held in the trees
0:49
Lives and memories are written in the sand
Lovers, heroes, friends and foe
All will end as it began
Cities built then lost at sea
Rebellion and defeat
All these things return one day
Everything returns
1:11
History repeats itself
Everything returns
History repeats itself
Everything returns
We all hope that someone who’s lost
Will one day return
Everything returns
1:28
Everything returns
1:33
A spectre of himself lingers
Wishes he could shrivel up and blow away
Wishes the sea would swallow him whole
Wash him clean, save the decay
1:45
History repeats itself
Everything returns
History repeats itself
We all hope that someone who’s lost
Will one day return
Everything returns
By Adam Stone
Musical Steps
It’s sunrise and Lorelle is walking in Eastern Park. The gentle music of a lone busker’s violin weaves through the air, each note echoing off the pine tree canopy above. Sunlight filters through the branches, casting dappled shadows on the gravel path ahead of her. Birds seemingly harmonize with the busker’s violin, their chirping a natural symphony to the tranquil environment. The crunch of her feet on gravel complements the rhythm, creating a relaxing ambiance.
As she strolls along, the violin’s soft cadence matches the sway of the trees in the gentle breeze. The scent of freshly mown grass mingles with wildflowers and shrubbery, filling the air with a peat whisky, earthy aroma. A wren darts across the path, pauses briefly to study her, then disappears into a nearby bush.
The violin’s melody is a constant companion to her every step, her every thought, guiding and allowing her to escape from the rigours of her partner’s recent illness and the busyness of everyday life.
Eastern Park is alive with beauty. For her, it is her moment; sanctuary where time is slow and her walk a waltz with nature.
By Allan Barden
Daylesford: Unicorn Cottage
Yesterday my brown-leaf life
attacked my thin skin
wet-slapped my face
decreed I blubber past mistakes
so I packed my large bag and left
behind an injured door.
Now
I’m where cushions absorb thunder –
stoking coals on haunches satisfies.
Pale light shivers at seven
from hushed snowflake clouds
soft greys filter fleece through lace
curtains casting shawls
across my huddling shoulders
frosting my nylon nightgown
like a dawn-lit pine-wood.
Lake-ripple-lute and minstrel flute
drift The Lady of Shalott’s melody
through worry-empty rooms
mingling with hot buttered toast
a taste of marmalade and steaming tea
flowing on to ghostly Convent Gallery.
Here where bards sing and hills ring
with charming chimney smoke
I open wide the holiday cottage door
let tickles of snowflakes fall
on my naked turned-up toes and
in shadows blue where illusions dwell
I hear a longing call
and sight a swift glass-spun unicorn
dashing away to distant Camelot.
Behind me
a mirror cracks.
By Jan Price
Solace in the Solstice
Beautiful is the winter solstice
Celebrated and revered since ancient times
Through traditional festivals and rites
Honouring nature’s cycles, rhythms and patterns
Giving animals and plants a time to rest
Refresh and prepare for renewed growth.
For us, it’s a chance to rug up and bunker down
Reflect and replenish our energy levels
Care for our personal spiritual health
Reconnect with family and friends
Enjoy warm winter food and drink
As waning daylight hours begin to lengthen.
Bonfires no longer are lit on the night
Instead there are lanterns and candles
To represent light in the darkness that is
While devotees partake in the global events
That remind one and all of the passage of time
As the Earth tilts away from the Sun.
Gail Griffin
Poseidon Fate
(Spoken word or lyrics. The approximate seconds are indicated where each line accompanies the music, commencing at the 27 second mark after the first 4 bars.)
27 Roaming the ocean your wisdom we seek
33 Tranquil symphony, endless mystique
39 Spiritual grace, acoustic psalm
44 Magnificent song-line, breathtaking calm
49 When breaching and rolling colliding with waves
54 Orchestral slam, nautical raves
60 Blowhole erupts, great plumes of spray
106 Mighty jaws sweep up your minuscule prey
111 Blustering power of pectoral fins
117 Tail slapping timpani accompany heavenly hymns
123 Wailsome squeals and echoing sighs
128 Unreachable octaves, inaccessible cries
134 An elegy, a sonnet, euphonic score
139 Angelic harmonies, a mermaid’s roar
145 We watch in wonder as you migrate
150 Through merciless seas
153 Your unknown – Poseidon fate
By Sue Gourlay
Beautiful Memories
The credits slowly scrolled down the screen after the film had come to an unsatisfactory end. The hypnotic tune over the sound system complemented the sadness and grief the Iranian film had projected regarding war, pain, and displacement. Cecille held Scott’s hand tighter while struggling to hold back her tears.
‘Scott this maybe hasn’t been a good idea–such a sad way to say goodbye.’
‘I know. That music is breaking me in two,’ replied Scott.
The young couple sat tanned and out of place in an audience of pale winter-locked Berliners.
Scott nuzzled into Cecille’s dark hair. Her smell transported him to the world of Kashmir and houseboats. A place of crisp clear mornings, and distant snow-capped mountains. He was again back next to the form of her perfect naked back, sleeping late and breakfasts of warm porridge.
Nirvana was cut short after a message to Cecille from home. It was a frantic trip with a Magic bus ride to Berlin, sleeping rough in cheap hostels, ending in a darkened theatre sheltering from the rain. Their affair would end with a connecting flight to Montreal for Cecille with Scott forever haunted on rainy days by the tune Beautiful.
By Douglas Wroe
a handy pocket guide to beauty
By John Heritage
Nature is beautiful
She lies on her back, her fingers dancing over the damp grass like piano keys as she allows all the tension to leave her body through a soft sigh of parted lips. White marshmallow clouds tinged with grey drift overhead as the cool wind stirs up the last of the fallen leaves beneath bare branches. The sun is low in the silvery sky, and suddenly, the air is full of thousands of wingbeats and soft flight calls. A murmuration of Starlings demonstrates a dazzling display of acrobatics and dance moves. Soaring and swooping, they move with grace and agility as they head to roost before sunset. The show is over. She stands and walks home to her own sanctuary. Nature has brought her peace.
By Pauline Rimmer
What never was
I waited
For the day
That never was
To be seen
And
To be heard
But that day never was
Love is never the answer
If you cannot hear it
If you cannot speak it
It was never your language
And so I move on
To live another day
That will come to be
What never was
By Giselle Sim
Winter Solstice
The following submissions were inspired by Winter Solstice by Stephen Sayers
Arabic Wedding
Expectant, euphoric, exciting, the mood simmers
with guests, holding hands, rushing to form two lines
amid the hotel foyer’s surrounding opulence–
a stunning interplay of marble, crystal chandeliers and gold.
The Maybach limo crawls to a halt, driver alights and strides
to open the door for the bride wearing an exquisitely-sequined white gown
with fur-lined, hooded cape—a nod to the cooler desert night –
to be met by her nervous groom, full of celebratory energy.
A distant, sonorous, ancestral, tribal beat is struck by drums
in unison with quanun, ney and ud, playing zaffe—the wedding march–
singers, dancers, twisting, turning, kicking legs, stomping feet
zaghareet—ear-splitting sound—long, high-pitched, wavering vocal.
Bubbles rain down on both bride and groom entering the hall–
a kaleidoscopic tunnel festooned with flowers–
leading to the ballroom where mezze feasts await
the revellers, still throbbing with wild abandon.
The procession halts at the grand ballroom doors
where the festive anticipation crescendos
before the portals are thrust open inwardly
to reveal an already gyrating, beat-matching DJ.
Dae aliaihtifal yabda’u! Let the celebrations begin!
Long into the night, underneath the illuminated dome
family and friends endorse the newlyweds’ union
on the darkest night of the year.
By Gail Griffin
From the Pall
Indeed, the Sun has died, to rise again.
Far away
in distance, and time
a people gathered
amid stones aligned
drawn by, that-unknown
I hear voices, picked notes
floating from shadows of was
to reach now,
to herald hibernal tilt
Now a ‘new-they‘ gather, upon an esker
these notes, and me
pushed by the past
drawn by, that-to-come
We watch and wait
embrace the night
to herald the day
Below, undulations of a sapient sea
containment of our past
drawn to, that-to-be
We watch and wait
embrace the dark
to herald the light
Above, in the blackness
the notes do sing
laments of what-was
to herald a new-born sun
And in the extent, its crowning birth
the sky will blaze
the sea to burnish
We watch and wait
embrace the light
to herald the dark
Whilst below,
undulations, our cerebral sea
absorb the night that was
Now to rise
free at last
from winter’s pall
we raise our heads to, that-will-be.
By David Jones
A Simile
It’s Winter deep
and outside this forsaken Abby
a wanton wind feigns a melancholy
hymn toned like a ghost-choir of mourning
monks injecting subliminal curses
while proceeding as one body
through Russian-blue gloom
on freezing slippered feet.
Amidst the lament
of loosely tied swishing girdles
the random ding dong
bong of the tossing rusted bell
clang their friary lanterns
against the drains and downpipes
while in this mind there forms a tale
of what dark loss they might bewail;
‘Imbibe our chill with half a swill
And draw us to your fires.
We’ve no grapes to crush – our still’s a’hush
Though we have but one desire
To rape the vine to oak the wine
And lace its youth with Purple Hood
Then sell it dear to those inclined
To drunken Christians from doing good.’
But no Purple blooms are seen to grow
with hooded seeds that spoor and spread.
No noxious wine to flog and fray
with Autumn’s light now passed away
and Springtime’s green asleep beneath
a swirling cassock of winter snow
while upon this night and worried mind
the wind’s cursing moans lament a loss
as if dormant evil seeds
truly do lie like sin below!
By Jan Price
Ghosts of Music Past
Music; a simply wondrous phenomenon.
Whatever its genre, music has a profound ability to conjure up memories and emotions in me that act as a trigger for recalling past experiences. When I listen to a song, I can be instantly transported right back to a specific moment in time and to the emotion associated with that moment.
Through a song, or a particular note, chord, riff or lick, I can tie a life experience to the music due to the physical or mental context in which it was experienced. Such experiences are stored deeply in my psyche and allows me to relive cherished or significant moments from my past.
Much of my music collection of vinyls, and CDs from my ‘Baby Boomer’ 60s to the present day not only brings me supreme enjoyment but can summon a memory of a past life moment of happiness, sadness, success, regret or failure.
Some memories one would sooner forget but they, like all the rest, live on and can’t be forgotten. Fortunately, I just can’t chase the ghosts away and I don’t really want to. They are me and the music is in me.
Allan Barden
Pleading the Fifth
LB flew about the room in a rage. How could they! After he’d been eagerly waiting all year. It simply wasn’t fair.
He tore at his hair.
But now this! He had a good mind to cancel his membership, to contact A Current Affair, to take it all the way to the International Criminal Court!
He gnashed his teeth.
To think that in this day and age of diversity and inclusion, where all members—regardless of their faith, gender, sexual orientation, culture, race, age, neurodiversity, education or socioeconomic status—were encouraged, indeed welcomed, to participate, he was being excluded. All because of his disability.
He rent his robe.
And now the prompt had arrived in his mail box. The Winter Solstice Writing Challenge. A challenge with a twist, a ‘Cadenza’ challenge asking him to let a music composition lead him on a journey.
He shook his fist at the heavens and took the Lord’s name in vain.
The gall of them! That they would assume that every member can hear!
Quivering, LB took up his goose quill, dipped it in his inkwell, paused to gather his rage into a tsunami and then wrote:
By Martin Smith
[Martin Smith’s tongue-in-cheek contribution to this month’s Ekphrastic Challenge has inadvertently pointed to an oversight for which I take full responsibility and I thank him for bring it to my attention.
On reflection our prompt for June was undeniably exclusionary and would have presented an almost impossible challenge to anyone with a profound hearing deficit. For this I sincerely apologise.
In future, any prompt of an aural nature will be complemented by a visual one to permit choice. Please note the visual prompts for ekphrastic challenges are also conveyed in a written form which may also be accessed via audio apps.
Guenter Sahr, President, Geelong Writers]
NGV Dayconstructed
(To be read down from column one through to column three.)
By Sue Gourlay
Words in the wind
The boy presses his nose up against the cold glass. Raindrops drip from the eaves in a steady curtain. His breath fogs up the window, and the tree outside distorts into grasping fingers beckoning him. He hears mumbled words in the cold wind rattling the window frame. The rain increases, causing rivulets of water to cascade. Patterns form and dissolve as he watches. He is safe inside, but outside, he hears them calling, always calling and searching.
By Pauline Rimmer
Everything is Oooh
0:06
Privileged Upper West Side girl
Reacts against success-obsession
By slumming it in Times Square
Her camera asking questions
She is tuned in and turned on
0:23
Perverse in the underbelly
Becomes a subculture vulture
The grotesque and weird and wonderful
From a picture hold a mirror to the culture
And a sword
0:37
She never loses the vision
Descending into New York sleaze
Finds a tenderness and fragility
In all the freaks she sees
0:50
She says
‘I really believe
There are things you wouldn’t see
Unless I’d seen them’
0:57
‘I really believe
There are things you wouldn’t be
Unless I’d been them’
1:04
Everything is Oooh
1:12
Everything is Oooh
1:22
Everything is Oooh
By Adam Stone
Leave a Reply